Wednesday, September 30, 2015

Forrest Gump on the Grassy Knoll

by Jim Fetzer


As a huge fan of actor Tom Hanks, I have admired him in many roles, including in Charlie Wilson’s War and Saving Private Ryan. I am also a fan of Leonardo DiCaprio, who became a worldwide phenomenon in Titanic.
But I was distressed and dismayed to learn that they had committed to films about the death of JFK – in Tom’s case, one based on Vincent Bugliosi’s Reclaiming History (2008), and in Leonardo’s, based on Lamar Waldron and Thom Hartmann’s Legacy of Secrecy (2008) – which are indefensible books.
According to Bugliosi, the Warren commission got it right: Lee Harvey Oswald was indeed “the lone assassin,” where he claims to have refuted alternative “conspiracy theories.”
According to Waldron and Hartmann, JFK was planning to assassinate Fidel, when the mob learned of the plan and took JFK out first, using its insider’s knowledge of the plot against Fidel to silence Bobby and preclude his pursuit of the guilty. The problem is that both theories are false.
Not only am I a fan of these actors but I have met Vincent Bugliosi. In my library downstairs, for example, I have a framed photo of Jesse Ventura, Vince and me at dinner in a restaurant in Minneapolis, when he came to present a lecture at the Hamlin University School of Law on 7 April 2003.
We had a great time, and I admire many of his books, from Helter Skelter (about the Charles Manson case) and Outrage (why O.J. Simpson was guilty of killing both Ron and Nicole) to The Prosecution of George W. Bush for Murder (for war crimes and other atrocities).
I like most of his books and have greatly admired him in the past. Similarly, I enjoy listening to Thom Hartmann over our local progressive radio station, “The Mic” at 92.1 FM in Madison, including his “Brunch with Bernie” Friday segments. I share many beliefs and values with Vince and with Thom about truth, justice and the American way. But on JFK, they are trading in fiction, not fact.

THE GREAT ZAPRUDER FILM HOAX (2003)
I know because I organized a research group consisting of the best-qualified students to ever study the case, including Robert B. Livingston, M.D., a world-authority on the human brain and an expert on wound ballistics; David W. Mantik, M.D., Ph.D., who is board certified in radiation oncology and an expert on the interpretation of X-rays; a physician, Charles Crenshaw, M.D., who had attended the moribund president when he was brought to Parkland Hospital after the shooting and then, two days later, his alleged assassin after he, too, had been shot; a legendary photo-analyst, Jack White, who testified before the House Select Committee on Assassinations (HSCA) when it reinvestigated the case in 1977–78, explaining a dozen or more indications that the infamous “backyard photographs” were fake; and another Ph.D. in physics, John P. Costella, whose specialization in electromagnetism, the properties of light, and the physics of moving objects enabled him to help prove the Zapruder film is a fraud.
On 3 March 2010, The Huffington Post published a piece about Tom Hanks, which included his comments about producing a television mini-series based on Bugliosi’s Reclaiming History: “We’re going to do the American public a service,” Hanks says. “A lot of conspiracy types are going to be upset. If we do it right it’ll perhaps be one of the most controversial things that has ever been on TV.”
Whether or not he knew it, I knew that I was one of those he had in mind, having published three books on the assassination, chaired or co-chaired four national conferences about it, and given hundreds of lectures and interviews about it.
On more than one occasion, I appealed to Vince not to publish his book on JFK, but to no avail. Even though he did acknowledge that mine are the only three “exclusively scientific” books about the death of our 35th president – in which I publish studies on different aspects of the case by qualified experts – he sailed ahead in reckless disregard for our findings.
The Falsifying Findings
According to The Warren Report (1964), a lone, demented former Marine named Lee Oswald fired three shots from the 6th floor of the Texas School Book Depository, with a World War II vintage Italian-made, 6.5mm Mannlicher-Carcano, scoring two hits and killing JFK.
Originally, the FBI and the Secret Service concluded that all three shots had hit, one striking JFK in the back about 5.5 inches below the collar, the second hitting Texas Governor John Connally in the back, and the third hitting JFK in the head.
When it was discovered that one shot had missed and pieces of curbing had slightly injured bystander James Tague, the commission had to revise those findings and claim that the bullet that hit JFK in the back actually struck the base of the back of his neck and had exited his throat and injured Connally – a bullet that emerged virtually pristine and has come to be known as the “magic” bullet.
Our research has demonstrated, however, that this account cannot possibly be true:
  • According to The Warren ReportThe HSCA Final Report, and articles in the Journal of the AMA, our 35th president was killed by high-velocity bullets, which have muzzle velocities of 2,600 fps or higher. The Mannlicher-Carcano only has a muzzle velocity of 2,000 fps, however, which means that it is only a medium velocity and not a high-velocity weapon, as other authors – Harold Weisberg, Whitewash(1965), Peter Model and Robert Groden, JFK: The Case for Conspiracy (1976), and Robert Groden and Harrison Livingstone, High Treason (1989) – have also observed. Insofar as this is the only weapon that Oswald has ever been alleged to have used to shoot JFK, if those official  sources are correct, then he cannot possibly have fired the bullets that killed him; and if they are wrong, then how could they be regarded as reliable on any other aspect of the case?
  • According to The Warren ReportThe HSCA Final Report, and other sources, the assassin was situated in the south-west corner of the Book Depository during the assassination, which took place at 12:30 PM on 22 November 1963. William Shelly, however, saw Oswald on the 2nd floor near the lunchroom when he (Shelly) came down to eat lunch; at Noon, Eddie Piper saw him on the 1st floor, when he (Oswald) told him (Piper) he was going up to eat; at 12:15 PM, Carolyn Arnold, the executive secretary to the Vice President, saw him sitting in the lunchroom; and again at 12:25 she observed him, but on the 1st floor near the front door. Within 90 seconds after the assassination, Motorcycle Officer Marrion Baker confronted him in the lunchroom and held him in his sights until Roy Truly, his supervisor, assured the officer that he belonged there. They both reported that Oswald was not breathing heavily or perspiring but acting normally – not what would be expected if he had run down from the 6th floor.

Jesse Ventura's "Conspiracy Theory"
  •  Later, when she was interrogated, his wife, Marina, stated that Lee admired JFK and bore him no malice. During his recent “Conspiracy Theory” program on the assassination, broadcast on TruTV on Friday, 19 November 2010, Jesse Ventura had the opportunity to talk with Marina, who did not want her face shown on television because she lives in fear for the life of her children – nearly 50 years later. Jesse had 2.5 hours to talk with her, however, and she said that, although at one time she had thought Lee had done it, she was now convinced he was innocent and had been working undercover for the government. This conjecture had even been confirmed by the Attorney General for Texas, Waggoner Carr, who had launched his own investigation and found that Lee was working as an informant for the FBI, had been assigned informant number 179, and was being paid $200 per month right up to the time of the assassination. That may be why his W-2 forms have never been released, as if the IRS couldn’t get hold of them, which is a unique event in American history!
More Problems for Bugliosi
What this means is that the man The Warren Commission fingered for the crime had neither the means, the motive nor the opportunity to have committed the crime. Most of what I have just said, however, has long been known to serious students of the assassination as long ago as the book by Mark Lane, Rush To Judgment (1967).
The reason why it has been so difficult to crack is that the government produced X-rays and photographs that suggested the two bullets that hit JFK had been fired from above and behind – the official location of the shooter. It would not be until 1992 when David W.
Mantik began to study the X-rays in the National Archives and discovered that they had been altered and Robert B. Livingston announced that the brain shown in diagrams and photographs could not be the brain of JFK – based upon his study of the doctors’ reports from Parkland Hospital – that the case the commission had endorsed began to suffer its most significant damage.
Mantik obtained permission to study the autopsy X-rays, borrowing a technique from physics known as optical densitometry that enabled him to identify regions of the X-rays that were abnormal, including a region on the right lateral-cranial X-ray (of his skull taken from the side), which had been “patched” to conceal a massive blow-out at the back of the head, which corroborated the reports from the Parkland physicians that he had a major defect at the back of his head.
When he studied the anterior-posterior X-ray (of the skull taken from the front), he found a 6.5mm slice of metal, which had apparently been added to the X-ray (in the darkroom) after they were taken from the morgue by Secret Service Agent Roy Kellerman.
So the reason the HSCA had discounted more than 40 eyewitness reports of a massive blow-out at the back of his head was wrong and could no longer be defeated by the X-rays.

David W. Mantik, M.D., Ph.D.
Livingston studied the reports from the physicians at Parkland, who, unlike the pathologists at Bethesda, were well-experienced with gunshot wounds. One after another – including Charles Crenshaw, M.D., Marion Jenkins, M.D., Charles Carrico, M.D., Malcolm Perry, M.D., Robert McClelland, M.D., Charles Baxter, M.D., and Kemp Clark, M.D., the Director of Neurosurgery – they reported that both cerebral and cerebellar tissue had been extruding from the wound.
When Livingston compared their consistent and detailed reports with the diagrams and photographs of a brain at the National Archives, which shows only slight damage and a completely intact cerebellum, he was obligated to conclude that the brain shown in the diagrams and photographs could not be the brain of John Fitzgerald Kennedy. Once they had “patched” the massive defect to the back of the head, where was no place for that tissue to go, so they simply substituted another man’s brain.
These discoveries were astonishing enough, but an even more important discovery would follow from them: that the home movie of the assassination (associated with Abraham Zapruder) had been edited to conceal the true causes of JFK’s death.
There were reasons to suspect the film had been re-created – by removing some events and adding others – since there were more than 59 witnesses who reported that the vehicle either had slowed dramatically or had come to a complete stop. It had to slow dramatically as it came to a complete halt, where some saw more, some less.
The back-and-to-the left motion of the body, moreover, was not reported by any of the witnesses in Dealey Plaza, even though it is the most striking feature of the extant film. And his brains had been blown-out to the left-rear and had struck a motorcycle patrolman with such force he thought he himself had been shot. Yet the film shows brains bulging out to the right-front, giving the impression of a shot from above and behind.
He Should Have Known Better
What bothers me is that these crucial findings – for which we have adduced abundant proof – had been published in Assassination Science (1998), Murder In Dealey Plaza (2000), and The Great Zapruder Film Hoax (2003) at least five years before Bugliosi published his massive tome. As David W. Mantik observes in his review of Reclaiming History, although I had laid out “16 smoking guns” in Prologue to Murder, “authentic discussion of our paradoxes was, by and large, quite off limits.
There was a lot of palaver about many other things but little at all about the central 16 – or [his] “20 Conclusions [after nine visits to the National Archives].” Nor did he take up the challenge of defeating our argument about the fabrication of the film, which includes a visual tutorial by John P. Costella explaining how we know that the film has been faked. This means our major findings remain unchallenged.”
Instead, Vince placed his faith in an argument about several bullet fragments that had been found in the front floor of the limousine. The claim that neutron-activation analysis (NAA) had shown the fragments to have come from allotments of WWII Mannlicher-Carcano ammunition (on the basis of the analysis of its trace mineral composition with respect to their percentage of zinc, arsenic, lead and other elements) had convinced Robert Blakey, Executive Directory of the HSCA, that Oswald had been the lone assassin.
Alas, as Mantik explains, the assumption of homogeneous composition of the Italian ammunition – which used recycled lead – was seriously flawed and therefore NAA could not be used to justify claims about their common origin. (Indeed, a recent article by Gary Aguilar, M.D., “Is Vincent Bugliosi Right that Neutron Activation Analysis Proves Oswalds Guilt?” has put the final nail in its coffin.)
And, as I observed in my review of Bugliosi’s book, had they come from a Mannlicher-Carcano or even from the same weapon, that would not have proven the location from which they were fired or by whom. But this means that Bugliosi’s principal scientific argument was misconceived from the beginning.

MURDER IN DEALEY PLAZA (2000)
Indeed, Bugliosi contends that Oswald was too unstable and insufficiently reliable for the CIA or the Mafia to have depended upon him to carry off the biggest murder in American history.
After all, given the official story, he had defected to the Soviet Union, slashed his wrist trying to commit suicide, behaved erratically in New Orleans, and lived the life of a loner. Why would the CIA or the Mafia have trusted him?
If Lee had been part of a conspiracy, as soon as he departed from the building, a car would have been waiting to take him to his death. Instead, he becomes the first successful assassin in history to make his escape by public transportation!
Bugliosi, alas!, appears unable to appreciate that the same reasons he offers for why Oswald might not have been an appropriate choice to serve as an assassin are excellent reasons why he would have made a great selection in a conspiracy to serve as the patsy!
Jesse Ventura made this point with devastating effect during his stunning exposure of Vince during their confrontation in the JFK segment of “Conspiracy Theory”.
Impending Disaster
If the planned mini-series based upon Reclaiming History starring Tom Hanks should make it to the small screen, his own remarks (“A lot of conspiracy types are going to be upset. If we do it right it’ll perhaps be one of the most controversial things that has ever been on TV”) are going to play out in ways he no doubt did not intend, an opinion shared by many other experts.
On 19 November 2010, alas, an announcement appeared that Leonardo DiCaprio is set to star in and produce “Legacy of Secrecy”, a movie based on the book by Lamar Waldron and Thom Hartmann about the assassination of President John F. Kennedy.
The authors claim that JFK and RFK were planning a covert coup in Cuba, that the mob got wind of it and whacked JFK, then covered its back by threatening to expose the coup plans if RFK went after them. And they insist that LBJ and the FBI were not complicit in the crime. It has received rave praise, such as the following:
“I believe Waldron’s heavy-to-lift book is actually all but the last word on these troubling assassinations which have been so wildly speculated about since 1963 . . . Lamar Waldron, indefatigable public servant and author deserves his own Pulitzer Prize for his great work.” – Liz Smith, New York Post
“They’ve done a service by digging up the deepest, darkest, most disturbing archival evidence to support their Mob hit theory.” – Ron Rosenbaum
“Staggering!” – Mark Crispin Mill
“Exhaustively researched” – New York Observer
“[Legacy of Secrecy contains] over 800 pages of intricately documented data. Their findings add pieces to one of our most perplexing puzzles, and suggest where the key missing pieces may be found.” – Ronald Goldfarb, Daily Beast
Unfortunately, their scenario is completely ludicrous.
(1) After the abortive “Bay of Pigs” fiasco, JFK had entered into agreements with the Soviet Union that the US would not invade Cuba, which he could not have broken, even covertly, without profoundly tarnishing his reputation and that of the US.
(2) There are more than 15 indications of Secret Service complicity in setting him up for the hit.
(3) The autopsy X-rays were altered to conceal a massive blow-out to the back of the head and by adding a 6.5 mm metallic slice.
(4) The home movie of the assassination was re-created to remove incriminating evidence, including that the driver, William Greer, brought the limousine to a halt after bullets began to be fired.
Once JFK was dead, RFK was rendered powerless, sandwiched between his powerful superior, LBJ, and his nominal subordinate, J. Edgar Hoover, both of whom appear to have been deeply involved in planning for JFK’s death and then covering it up. None of this could have been arranged by the mob.

Jesse Ventura, Vince Bugliosi, and Jim Fetzer
No doubt, the mob wanted to regain control of its resorts and casinos in Havana, where it had been running the largest money-laundering operation in the Western Hemisphere. If JFK and RFK were going to take out Castro, the mob would have waited until after that had been accomplished.
The book appears to have been inspired, in part, by a misunderstood contingency plan for an operation of this kind, one that was filed and forgotten. Even Robert McNamara had never even heard of it; yet its execution was allegedly only weeks away when the mob took Jack out.
The idea that JFK could be planning something like this without the knowledge of his close and trusted Secretary of Defense verges on the absurd. And, as other, more qualified sources, including Robert Dalleck, An Unfinished Life (2003), have also explained, JFK was planning to promote a new era of less stressful and far more peaceful relations with the USSR, including the normalization of relations with Cuba.
Tom Hanks and Leonardo DiCaprio have now embarked upon a voyage into the unknown, which is rife with hazards of which they appear to be blithely unaware. Bugliosi is an impressive prosecutor, but he knows very little about the alteration of X-rays or the fabrication of films.
He produced a brilliant brief in his zeal to convince his readers that Oswald committed the crime. If Oswald didn’t do it, then the Mafia would be a serious alternative, which Robert Blakey pushed when The HSCA Final Report (1979) appeared.
But the mob could not have altered X-rays under control of medical officers of the US Navy, agents of the Secret Service, or the president’s own personal physician. Neither pro- nor anti-Castro Cubans could have substituted another brain for that of JFK.
And even if the Soviets had the capacity to fabricate movies comparable to that of the CIA and Hollywood, it would have been unable to get its hands on the Zapruder film. These things could only have been done with complicity from the highest levels of the American government.
There are books worth producing as mini-series and as films, especially ones by James Douglass, JFK and the Unspeakable (2008), and by Phillip Nelson, LBJ: Mastermind of JFK’s Assassination (2010). The situation is not unlike that of those who controlled a magnificent ship, thought to be unsinkable, steaming blissfully ahead and unaware of its destiny. They bought the wrong books.
Special thanks to David W. Mantik for his comments and suggestions on this article.
Jim Fetzer, a former Marine Corps officer who earned his Ph.D. in the history and the philosophy of science, is McKnight Professor Emeritus at the Duluth campus of the University of Minnesota. [NOTE: This is one in a series of articles being republished since veterans today.com deleted them in a dispute with its Senior Editor, Gordon Duff, about which I have since written several articles.] Updated article originally published December 17, 2010, Copyright © 2010 by LewRockwell.com.

The Cartha DeLoach FBI Memo and the Altgens6

By Larry Rivera with Jim Fetzer


“The DeLoach memorandum provides ‘smoking gun’ proof that both the FBI and the AP were actively involved in altering the Altgens6 photograph. So much for the denials by pseudo-skeptics, who oppose the truth and continue to insist that Oswald fired the shots from the 6th floor, when the photo shows he was in the doorway at the time.”–Jim Fetzer
Carta "Deke" DeLoach
Cartha “Deke” DeLoach
Deep within the bowels of FBI 62-109060 JFK HQ File, Section 4, at the very end (page 187 of the 189 page pdf file available at The Mary Farrell Archive, we encounter an FBI memorandum from FBI Deputy Director Cartha D. DeLoach to John Mohr dated 25 November 1963 (with copies sent to Mr. Al Belmont, Mr. Al Rosen, Mr. Evans, Mr. Conrad, M.A. Jones and a Mr. Morrell). Don’t let the poor quality of the image (published below) fool you — and the location of this important document should not surprise you either.

The information that it contains is explosive and resolves many questions concerning the famous but also controversial Altgens6 photograph, which appears to have been subjected to multiple forms of alteration.  Although the existence of these alterations establishes that there has to have been enough time available to make them, some skeptics — including, but not limited to, those who tend to defend the “official account” of the assassination of JFK — nevertheless claim that there was too little time for those alterations to have been made.
The identity of the man in the doorway — which many have insisted was Billy Lovelady, a co-worker, and not the alleged assassin,  Lee Oswald — has been disputed from the earliest research on the death of JFK, especially by Harold Weisberg, Whitewash II (1966; which was reprinted in 2007 with an introduction by Professor David Wrone), who had already identified the most important moves that were being made to create the false impression that it had been Billy rather than Lee (on pages 250-251).
Billy was the right choice, under the circumstances, because he had also been there in the doorway, standing to the left of Doorman (to his right as we view the photograph), wearing a red-and-white, short-sleeved shirt and holding his hand up to protect his eyes from the sun in order to better view Jack and Jackie. So he was transformed into Doorman, his face was blacked out and Buell Wesley Frazier was substituted to stand in for him so Lee Oswald, the designated “patsy”, could be on the 6th floor shooting at JFK.
Those who defend the indefensible insist that there was not enough time for the photo to have been altered. The DeLoach memorandum provides “smoking gun” proof that both the FBI and the AP were actively involved in altering the Altgens6 photograph. So much for the denials by pseudo-skeptics, who oppose the truth and continue to insist that Oswald fired the shots from the 6th floor, when the photo shows he was in the doorway at the time. Recent research by Ralph Cinque, Richard Hooke, Larry Rivera and others is not really a new discovery so much as a reaffirmation that Weisberg had it right!
Thanks to the FBI’s rigorous attention to detail and protocol, we can now piece this together and explain how and when it was done. We have tracked the first appearance of the Altgens6 on television, where it was shown by Walter Cronkite, and one of the first — if not the first — print to appear in a newspaper, The Oakland Tribune, which narrow the tim frame for its alteration. The upshot is we now have additional proof that the FBI and the AP were  complicit in framing the patsy and were accessories after the fact in the assassination of John F. Kennedy, the 35th president of the United States.  First the photo, then some background.

The Saturday Evening Post’s Altgens6


Here is the Altgens6 as published by The Saturday Evening Post 14 December 1963. Everything marked in red is suspected of alteration, mostly blobs covering faces except for the entrance and the windshield which were given special attention. The broom closet in the Dal-Tex Building at the top — about 1/3 of the way from the right-hand side — is framed by the fire escape. (This is a Larry Rivera scan from original issue.)
The area of greatest interest is the doorway above the limousine, where a figure is extending himself to see what is taking place. Most research and discussion of this area has been based upon a scan made by the well-know student of the assassination, Robert Groden, who appears to have had a role in convincing Oliver Stone in the preparation of his film “JFK”, that this figure was Billy Lovelady and not Lee Oswald.

GrodenAnnot-one-half14

As we are about to discover, the FBI and the AP were concerned that the public might be able to discern that the man in the doorway was Lee Oswald, the alleged assassin. Two Vice Presidents for ABC News debated over whether to run the photograph or not, in the knowledge that it could create “a sensation”. They decided not to run it. They weren’t experts on the assassination, but that was their take, which Harold Weisberg, Whitewash II (1966), included on page 153:
I have found it incredibly embarrassing, therefore, that so many who present themselves as “JFK experts” want to deny, not only that Doorman is not Oswald, but that the photo has not been fixed.  Consider the Obfuscated Face of the man to his right/front (viewing the photo), his missing left shoulderthat Black Tie Man is in front of him and behind him, and the face of the man standing beside him has been turned into a black hole.

Proof that it was Oswald, after all


One proof that guarantees that a photo or a film has been altered or faked is for it to include physically impossible events. That a face has been obfuscated is already enough to impugn the photos authenticity, but when you have a figure who is missing a shoulder and another who is both in front of and behind him simultaneously, there is no room for doubt.  The photo was altered–and the reasons are rather obvious.
The-Patsy
Lee, for example, told Will Fritz, the homicide detective who interrogated him, that he had been “out with Bill Shelley” in front.  And the man in the doorway certainly resembles him in height, weight, build and clothing, even apart from the facial resemblance.  Lee was about 5’10” and weighed between 130-135 lbs. and was wearing a shirt that was spayed open and hung loosely on his body. They look a great deal alike.
Lovelady_FBI1-320x1881
Although the FBI maintained it had “conclusively identified” Doorman as Lovelady, Billy’s subsequently conduct falsified that claim. He went to the FBI on 29 February 1964 and showed them the shirt he had been wearing, which was a red-and-white, vertically striped short-sleeved shirt. The FBI photographed him and reported back to J. Edgar. He would later confirm this was the shirt he had worn to Jones Harris.
The claim has been made that Billy was also photographed in the crowd following the assassination and that he was wearing a black-and-white checkered shirt.  This man looks nothing like Billy and is far too robust to be Doorman.  He is practically bursting out of his shirt, which is buttoned to the top, and must outweigh him by 30 lbs. While the faces are ambiguous, the clothing leaves no doubt. Not only did Doorman resemble Lee Oswald, but he cannot have been either Billy Lovelady or Checkered Shirt Man. Doorman was Lee Oswald.

The Altgens6 makes its television debut


Only three candidates have ever been offered as the person we are calling “Doorman”:  Lee Harvey Oswald, Billy Nolan Lovelady, and Checkered Shirt Man.  The figure strongly resembles Oswald, as even the ABC executives could see.  He is not wearing a short-sleeved shirt and can’t be Billy, who later observed that he was 3″ shorter and 15-20 lbs. heavier than Lee, and cit ertainly is not Checkered Shirt Man, who is also not wearing a comparable shirt ant must be 35 lbs. heavier than Doorman.  So what’s left to argue about?
Officially, James “Ike” Altgens had been Associated Press news photo editor in Dallas for 26 years.  The AP owned all the Altgens’ photos and it was up to the AP to disseminate them as appropriate.  While two are suspected of alteration or forgery — the Altgens6 and the Altgens7 — according to the “official chain of custody”, the Altgens6 was “on the wire” at 1:03 PM and circled the globe within minutes. There was no time to alter it.  End of story.
Image 1 of 3










We know that at approximately 8:00PM/ET, (5:00PM/PT) on Friday, 22 November 1963, Walter Cronkite presented for the first time ever on television, an extremely cropped version of the Altgens6 to the American public.
The glossy nature of the photograph shown by Cronkite suggests it had probably been hand-delivered by CBS’s neighbor, The Associated Press in New York.
It appears to be one of the “glossy prints” printed by the AP that evening mentioned in the DeLoach memorandum (below).
Third of three of limo
CRONKITE (narration): “You see the secret service men, riding in back of the car, looking over their shoulder to the right rear where the shot came from.”
These are snapshots taken from CBS footage of their JFK Assassination coverage the night of November 22, 1963.
The second of these images shows the reflection from the glossy surface, which reinforces the inference that it came from the AP and is one of those mentioned in the DeLoach memorandum.
No major newspaper, however, published the Altgens6 that day on the first page of their special afternoon editions. The New York Times did not even include it in its historic coverage on 23 November 1963. But The Oakland Tribune appears to have published the Altgens6 on the 3rd page of it’s EXTRA edition that day. Here is a portion of the newspaper, which shows the top of the Altgens6 at the bottom, where the more complete but still cropped image published there will be presented and discussed below:

We believe this is authentic, because Richard Hooke found it in the trunk of an elderly woman neighbor, who–like millions of other Americans–had kept the newspapers from those fateful days, especially those including photos related to the assassination.  Notice the obfuscated face, the missing left shoulder, the man who is both in front of and behind him at the same time, and the man beside him has had his face turned into a black hole.  So at least one Altgens6 seems to have been published the day of the assassination.

Alterations of the Altgens6 and fabricated newspapers


Roy Schaefer, now a member of the OIC, was working for the Dayton Daily News at the time and took the Altgens6 off the wire-photo-fax at 7:00 AM/ET on Saturday, 23 November 1963. Because of a background in photography, Shaffer noticed immediately that alteration using masking and opaquing techniques had been done to the image that was received over the wire, especially in the background area of the doorway.
From there on, Roy embarked on research and discovered hidden aspects of the Altgens6 as well as many changes that are also to be found in the extant version of the Zapruder film. (See his 1998 article on this.) And Ralph Cinque has discovered the existence of bogus newspapers in minor market areas, which show the Altgens6 on the same day of the assassination but which turn out to be fabrications of special editions.
Here are the real and fake editions of the Benton Harbor News-Palladium (where Benton Harbor is a small community in Michigan of then-about 10,000 population) published their own bona fide issues that Friday, which were replaced by fake issues to create the false impression of having included the Altgens6:
This was a major find of US intelligence agency duplicity.  Among the telling signs that one is real and the other fake is that local news items are interspersed in the original issue, while the fake has nothing but national news, highly improbably for a local newspaper, which did not publish TWO EXTRAS that day!  

The Rigby Timeline for the Altgens6


Paul Rigby, a most respected JFK researcher from the UK, has provided the OIC with a detailed time line of the Altgens6 photo and has proposed at least a two to three hour “window of opportunity” for alteration. Mr. Rigby’s work deserves discussion. He believes that there was a delay in the release of Altgens6 because it was initially wired to the AP headquarters in New York, but then appears to have been “cropped twice”.
On the basis of the available evidence, we can — provisionally at least — draw the following inferences:
(1) Altgens did not develop his own photos; (2) Altgens6 went by fax, not to the world at large, but to the AP New York HQ, at just after 1:00 PM/CT; (3) The negatives were sent by commercial airline, ostensibly to the same destination but did not arrive until hours after the initial fax; (4) The dissemination of the image from NY did not occur until at least two hours after the fax arrived but before the arrival of the negatives; (5) Both the AP and Altgens appear to have sought to conceal this hiatus; (6) The AP acted against its own commercial interest in delaying release of Altgens6; (7) The version which first appeared in the final editions of newspapers in Canada and the US on the evening of 22 November 1963 was heavily, and very obviously, retouched; (8) Point (7) may not be the explanation, either full or partial, for the concealed delay; it is quite conceivable that obvious alterations were used to draw attention away from other more subtle stuff.
Since The Oakland Tribune afternoon EXTRA edition showing the cropped Altgens6 — and other visible features beyond the now obscured windshield — appears to have come out around 5:00PM/PT (or 8:00 PM/ET) and the photograph was taken at 12:30 PM/CT, the span between the photo’s being taken and its first newspaper publication would appear to be a maximum of 7 hours, if we accept The Tribune as real. Since Roy took it off the wire-photo-fax the following morning, that suggests it was actually sent out twice.

What the FBI, the AP and ABC knew


The DeLoach memorandum of 25 November 1963, however, unequivocally claims that the AP did not disseminate the Altgens6 to subscribing newspapers until Saturday, November 23, 1963, which means that The Oakland Tribune got an earlier version than was nationally distributed the next day . Here is the memorandum (absent its addendum), which was added subsequently and is discussed below.  Notice the language that is used to describe the photo and that he expected the FBI to further “experiment” with it:
The DeLoach memorandum
So while Al Resch, the liaison between the Associated Press and the FBI and had informed Mr. DeLoach that the Altgens6 was not distributed until the following day, The Oakland Tribune photo Richard Hooke has found suggests that  Resch was not quite right, since at least one newspaper appears to have published it on Friday, 22 November 1963. The language Resch uses in referring to it — as the “rough photo” and to “experimenting with the [initial] glossy print” (since there is no point in “experimenting” with the finishedglossy print ) — implies they were going to make more tweaks.

The Memorandum’s Addendum


The end of the FBI memorandum contains an interesting “ADDENDUM” by DeLoach (CDD) “A positive identification had been made by interviewing Lovelady at his home.” So confident was the FBI that this was the end of the controversy generated by the Altgens6 that DeLoach expressed his opinion that “this matter had washed out”:
The memorandum addendum
This is probably the point in time where Billy Lovelady was taken to task and introduced to his new role as “Doorman” in the Altgens6. With his Federal conviction and court martial at Andrews Air Force Base for the theft of government property, gun running, as well as his felonious flight from Maryland in 1961-62 and subsequent arrest at his new job at the TSBD by the FBI in January 1963, he was ripe for the plucking.
The FBI, as they say in Dallas, “called in the markers” — and made him an offer he could not refuse. They could not have anticipated that he would have a conscience and not only confirm to Jones Harris that he had been wearing the red-and-white, short-sleeved shirt that day but actually go to the FBI in Dallas and show them the shirt to set the record straight,  which the would photograph and send to Washington, D.C. 

Where was the Altgens6 altered?


So, where was the Altgens6 altered: in Dallas, in New York or even in Rochester, NY, where the CIA ran a secret photo lab known as “Hawk-eye Works”? The most efficient location to have done the alteration would have been Dallas. The fluidity of the situation would have dictated it. They had to have been aware of the problem because he had been in the doorway and had told Will Fritz he had been there. The level of alteration of the Altgens6 suggests that it was done with a first generation print, which was enlarged to facilitate the alteration. Opaquing, masking and airbrushing are techniques that seem to have been used.

So here is The Oakland Tribune‘s version of the Altgens6, which appears to reflect the first pass, where it would be subjected to additional alteration but where we can already see the features that prove it is fake. Note what appear to be trace marks around JFK, John Connally, both of the sun visors, and the rear view mirror in this very early rendition of the Altgens6. This version of Altgens6 almost looks like a caricature.

5b
Photo-fax machine
The resulting product was probably re-shot and processed with an optical printer to produce an altered negative, which was flown to New York with altered first generation prints. This new negative was then incorporated into the contact sheet which we see today. Had they used an image off of the unifax machine in New York, the resultant image would not have had the quality and resolution to pass on as an original.

According to Roy Schaeffer, all photo processing companies in Dallas were stocked and ready to receive the treasured snapshots and film of people who were lucky enough to see the parade. Among the companies that were available for business Schaeffer mentions the Kodak and Jamieson Printing companies. [Roy Schaeffer, “Was the Abraham Zapruder Film used to mislead the American Public?” (1998), p. 2]

Since we are contemplating alternatives, a company JFK researchers are familiar with, Jaggars-Chiles-Stovall, did have the capability to alter photographs and re-generate negatives and was within easy walking distance of Dealey Plaza. Surprisingly, JCS has almost never been mentioned as a place where photo alterations could have been done or coordinated from. (See Jack White’s reference to the Stovall Warren Commission Testimony)

Wouldn’t it be ironic that the first place that Lee Oswald worked in Dallas in 1962, after his return from the Soviet Union, Jaggars-Chiles- Stovall — a place which handled contract imaging work for Navy Intelligence and the CIA — would also be the place where the image that could exonerate him from this heinous crime could have been altered to change his features in the doorway in order to frame him for an assassination that he could not possibly have committed?

 

Why the Altgens6 matters


As John Simkin reports, Cartha “Deke” DeLoach became friends with Lyndon B. Johnson in the 1950s. It was DeLoach who arranged with LBJ, the Senate majority leader at the time, to push through legislation guaranteeing J. Edgar Hoover, a salary for life. DeLoach would later recall, “There was political distrust between the two of them, but they both needed each other.” However, he denied that the two men worked together to blackmail politicians, but it is important to observe that he had ties to both LBJ and J. Edgar.

In his book, Hoover’s FBI (1995), for example, DeLoach claimed, “The popular myth, fostered of late by would-be historians and sensationalists with their eyes on the bestseller list, has it that in his day J. Edgar Hoover all but ran Washington, using dirty tricks to intimidate congressmen and presidents, and phone taps, bugs, and informants to build secret files with which to blackmail lawmakers.” While DeLoach said this was not true, there are stunning books by Anthony Summers and by Mark North that show otherwise.
(1) Our current research indicates the Altgens6 was altered twice on November 22, 1963. The first revision, a very crude, caricature-like, extremely cropped rendition, which would be sent  to the West Coast, was done in Dallas between 1 and 4 PM/CT.
(2) This timeframe allowed for the Lovelady/Oswald Doorman alterations to be done as well as others involving Buell Wesley Frazier, a crucial witness, where Frazier had disappeared for at least 5 hours, which is most unlikely to be coincidental.
(3) It was wired to the West Coast, to newspapers that had not yet reached their afternoon deadlines.This time frame confirms Paul Rigby’s original estimate of 2-3 hours. And it is all too probable that these alterations were done at Jaggars-Chiles-Stovall.
(4) From there, the now extant negative and altered Altgens6 were flown, possibly by private jet, to the AP in New York, where the “rough photo” was blown up and “cropped twice” to focus on the left side of the image and to support shots from the TSBD, mainly because it shows Secret Service Agents John Ready and Paul Landis’ reacting and turning towards the building.
(5) That night, it was shown to a grieving nation, for the first time on TV, by Walter Cronkite at about 8:00 PM/ET (5:00PM/PT). The first wire photo published in The Oakland Tribune revealed the crude job done, which required further fine-tuning, probably with experts in New York or in Rochester.
Bear in mind that there would have been no reason to alter images in the doorway area unless someone had been there who should not have been there, where the prime candidate is the designated patsy. Not only were his facial features changed to more closely resemble the face of Lovelady, but Lovelady’s face (in the third of his FBI photos) was altered to more closely resemble that of Oswald:
BLACK HOLE MAN - LOVELADY OSWALDIFIED
To convert Billy into Doorman, Lovelady’s head was blacked out and Buell Frazier was removed. Frazier was then available to replace Lovelady as the now “Black Hole Man”. Lovelady was identified as “Doorman” in lieu of Oswald, who was standing there; and his face was also slightly altered to look like more like Lovelady. Lee, after all, could not be in the doorway watching the motorcade and also on the 6th floor shooting at JFK.
By demonstrating that both the FBI and the AP were actively involved in altering the Altgens6, those who insist that the chain of custody did not permit it have been shown to have been wrong. Whether they were sincere in maintaining that position or not will now be tested by their willingness or not to admit that they were wrong and that Oswald was in the doorway, after all, and cannot possibly have even been among the shooters. 

Detailing additional Alterations


In collaboration with other members of the OIC, I have now published a dozen articles about the Altgens6:

Dennis Cimino has demonstrates that the photograph was also altered extensively in the windshield area, which was appears to have been among of the refinements that were undertaken during the second pass; see “Tampering with the Limo in the JFK Altgens6”;

Ralph Cinque has shown that, during the Warren Commission hearings, Joseph Ball performed a sleight-of-hand to convey the false impression that Lovelady had drawn an arrow on CE 369 to identify himself as Doorman, when he had pointed instead to himself;

Larry Rivera has explained why Buell Wesley Frazier, a key witness who incriminated Lee Oswald in a crime he did not commit by claiming he had carried  “curtain rods” into the Book Depository, was taken out of the photo; see “Why Buell Wesley Frazier was erased from the Altgens6”;

Richard Hooke has discovered why Bill Shelley’s face had to be obfuscated in the Altgens6, since Lee had told Fritz he was “out with Bill Shelley in front” and his presence there would have raised too many very uncomfortable questions; see “The JFK Altgens6: Bill Shelley’s Shrunken Head”.

Indeed, Richard has done a brilliant job of analyzing the key moves that appear to have been involved:

So where does that leave the Josiah Thompsons, the Robert Grodens, the (surprisingly) David Liftons, the Robin Ungers, the JFK Assassination Research Bureau and other of their ilk, who persist to this day in the claim that Doorman was Billy Lovelady, as everyone has known for a very long time?  There is an answer.
lovelady copy
It appears they belong in the same category with John McAdams, who long ago published this composite, which represents the state of affairs before Ralph Cinque contacted me to explain that I was right in my conclusion (that Oswald was in the doorway) but wrong in my premises (because it was not Lee’s face that had been obfuscated), where it was the clothing they were wearing that made the difference in sorting this out to exonerate an innocent man from the accusation that he was “the lone, demented gunman” who killed JFK.
Larry Rivera, the son of a career military man who served as CID officer in the Army and a Certified Network Engineer, has made a lifelong study of the JFK assassination.  He has given interviews on the assassination to Spanish media and has the most complete dossier on Billy Nolan Lovelady ever done.
Jim Fetzer, a former Marine Corps officer, is McKnight Professor Emeritus at the University of Minnesota Duluth. [NOTE: This is one in a series of articles being republished since veterans today.com deleted them in a dispute with its Senior Editor, Gordon Duff, about which I have since written several articles.]